Foran, S & Goold L. (2020). The Changing Nature of Jazz Artists within the Recording Technology Space, Riffs, 4(1). https://riffsjournal.org/2020/07/23/the-changing-nature-ofjazz- artists-within-the-recording-technology-space-lachlan-goold-sean-foran/
Foran, S. (2021). Pathways to Sustainability: Diversity of programming for audiences in Australian jazz festivals, Jazz Research Journal, 14 (2).
Music Livelihoods, Griffith University, Brisbane - 2021
‘Patreon and Digital Communities – Alternative Pathways for Musician Livelihoods'
Turns and Revolutions in Popular Music, ISAPM Canberra - 2019
'Improvising with the Machine - a performer perspective on real-time interaction' - with Toby Gifford
'The changing nature of the artist within the recording technology space' - with Lachlan Goold
Playing Along -ISAPM WINTEC, Hamilton, New Zealand – 2018
'Live electronics and acoustic improvisation – playing with technology in performance environments'
Interacting in and with Music - University of Rennes 2 – France, 2017
'Live electronics and acoustic improvisation – interactive possibilities'
Rhythm Changes - Jazz Utopia, Birmingham, United Kingdom, 2016
'Live Electronics and acoustic improvisation in the jazz trio – new Utopian encounters'
11th Australasian Piano Pedagogy Conference – University of Southern Queensland, 2013 - “Solo Piano in the Digital Age” – a solo piano performance utilizing traditional improvisation and modern techniques of loops, samples and digital textures.
Popular Music Communities, Places and Ecologies – QLD Conservatorium, 2013
“The Ecology of Jazz within Popular Music”